en solidaridad y con afecto para
DD, HGM, JH, RL, GP, LP, OP, JP, CRG, PR, MS, CSR, KV, HY y JZ
Adolfo Romo, Sr. isn’t hot enough for Hollywood.
Adriana Barraza isn’t hot enough for Hollywood.
Alana de la Garza is hot enough for Hollywood.
Alberto Alfonso isn’t hot enough for Hollywood.
Alberto Salazar isn’t hot enough for Hollywood.
Alejandro Fernández is hot enough for Hollywood.
Alejandro González Iñárritu is hot enough for Hollywood.
Alex Rodríguez isn’t hot enough for Hollywood.
Alfonso Cuarón is hot enough for Hollywood.
A drone carrying crystal meth
crashed into the car park
of a supermarket in Pueblo Amigo
this inaugural post is dedicated to
Sara Uribe and Kim Schreiber,
both generous and kind
I left my country on the 204th anniversary of its independence. I took a plane. I wasn’t really thinking too much. I wasn’t really paying attention. I just thought it was the best day to leave given the circumstances. As a very dear friend would tell me later, mocking me: “only the unpatriotic and the stateless leave their homeland right on its Independence Day celebrations.” I felt unpatriotic. I was rendered stateless. I sensed I was leaving a lot behind. Also I suddenly realized there were a whole lot of events coming right in front of me. Perhaps more than I could actually foresee. More than I can imagine. I left Mexico on September 15, 2014 in order to start a new adventure in life. I had chosen to keep my academic career going. I’d decided I wanted to recover my writing career as well, after four years in public service. The opportunity was before me when I sent my application so stand for the Master in Fine Arts degree in Writing at the University of California, San Diego. I got accepted. A whole new ground of possibilities was suddenly open before me. But at the moment, as I was crossing the U.S. border, I didn’t feel a thing. I didn’t know a thing.
Besides acquiring formal education in writing for the first time, I now have the chance to explore the recent writing techniques and theories, and put them in practice in my own writing. I’m attracted to the experimental approach on writing of the MFA program. One of my main goals is to address current Western Culture societies in conflict based upon evidence found through language. My interest is chiefly aimed at language as a community builder. On exploring how language binds us together as a community. Which could be the principles that make us hold together even though it may seem societies are falling apart? (There are many making that statement nowadays.) Upon the rise of Internet as the almighty machine that has radically affected the concept of writing; I’m particularly interested in working with virtual communities. Language shown in the user comments of sites around the World Wide Web is of a very different kind than any other used in any other support. Nonetheless it works as adhesive when establishing relationships, encouraging dialogue, and building communities. But it is also a language based more frequently upon anonymity/identity, context[s], shared or unshared. What do user comments across the Internet stand for when referring to commonality?
I’m infatuated with Western Culture. How does the West talk about love in the twenty-first century? I’m interested in researching and updating through writing experimentation what Freud theorized about the Eros & Thanatos duality. Is Western Culture closer to death, aggression, and destruction in the twenty-first century? If this is considered true, then: In what ways is Eros defined by Western Culture in the now? How can our present be defined based upon the relationship established between eroticism and destruction, particularly one that is perceived through public language across the Internet and other ‘new’ media? How do these relationships define our global communities therefore? What does all of this say about human condition?